In his new series "One of Many Ideas of Home," Elias Mung'ora embarks on a deeply personal exploration of identity, belonging, and familial history. Drawing from his own experiences and relationships, as well as a quest to understand his ancestry in Nyeri, Central Kenya, Mung'ora weaves a rich narrative that examines the interplay between individual lives and broader historical contexts. Through the integration of old family photographs, often layered to the point of obscurity, he seeks to connect with and evoke memories and histories that are otherwise inaccessible, inviting a reflection on the ways we relate to our pasts.
Central to the series is the recurring motif of carpets, symbolizing contested spaces and the notion of home as both a physical and emotional construct. This theme is particularly poignant in works like “Lunch in the Midst of an Unplanned Move,” where the absence of a carpet reflects a moment of displacement and a reevaluation of what it means to belong. Mung'ora’s work transcends the autobiographical, challenging viewers to consider their own perceptions of home and identity against the backdrop of Kenya's colonial history and the universal quest for rootedness and connection.
The artwork “At Home on My 30th” is a compelling highlight within this series. Set against the backdrop of a vividly depicted home interior, this piece contrasts sharply defined carpets—symbolic of claimed, intimate space and value—with abstract, less defined elements like walls and ceilings, representing the impermanence of the artist's current state of rootedness. On this significant personal milestone, Elias reflects on the transient nature of home and belonging, using the carpet as both a literal and metaphorical foundation within the space.
-
Elias Mung'oraRhoda and Pharaoh, 2024Signed and Dated on FrontMixed Media on Canvas47 x 47 in.
120 x 120 cm. -
Elias Mung'oraWanji and Daudi, 2024Signed and Dated on FrontMixed Media on Canvas47 x 47 in.
120 x 120 cm. -
Elias Mung'oraSelf Portrait, 2024Signed and Dated on FrontMixed Media on Canvas71 x 71 in.
180 x 180 cm. -
Elias Mung'oraA Portrait of Daudi, 2024Signed and Dated on FrontMixed Media on Canvas39.5 x 39.5 in.
100 x 100 cm. -
Elias Mung'oraUnplanned Move 2, 2024Signed and Dated on FrontMixed Media on Canvas71 x 71 in.
180 x 180 cm. -
Elias Mung'oraOne of many ideas of home, 2024Signed and DatedMixed Media on Canvas39 1/2 x 39 1/2 in.
100 x 100 cm. -
Elias Mung'oraA portrait of Rhoda, 2024Signed and DatedMixed Media on Canvas39 1/2 x 39 1/2 in.
100 x 100 cm. -
Elias Mung'oraAt home on my 30th, 2024Signed and DatedMixed Media on Canvas47 x 47 in.
120 x 120 cm. -
Elias Mung'oraWanji In Between Visits, 2024Signed and Dated on FrontMixed Media on Canvas71 x 71 in.
180 x 180 cm. -
Elias Mung'oraLunch in the midst of an unplanned move, 2024Signed and DatedMixed Media on Canvas71 x 71 in.
180 x 180 cm.
Mung’ora is a member of Brush Tu, a Nairobi-based artists’ collective, and has exhibited widely including: A Tapestry of Contemporary Africa, MoCa L.I., New York (2024); Common Ground, NCAI, Nairobi (2023); African Identities, AKKA Project, Venice (2022); Walking the Edge, Afriart Gallery, Kampala (2022); 1-54 Contemporary Art Fair, New York (2022); Fragments, Antoine Dupin, Rennes (2022); A Gathering of Small Fires, Montague Contemporary, New York (2021); Sacrifice Pasture, One Off Gallery, Nairobi (2021); Kikulacho, British Institute in East Africa, Nairobi (2018); Remains, Waste & Metonymy II, British Institute in East Africa, Nairobi (2017); Stranger Times, Circle Art Gallery, Nariobi (2017), among others. He was the winner of the 2016 Manjano Art Prize in Nairobi, a finalist in the 2018 edition of the Barclays L’Atelier competition, and a finalist in the 2020 EPI competition.
His works form part of many notable collections, including the former President of Kenya Jomo Kenyatta Collection, I&M Bank Collection, MFA Boston (promised), New Orleans Museum of Art (promised), Rodney Miller Collection, Nicolas Jay Collection, Rift Collection, Sir John Rose Collection, among others. His work been featured in Artnet, Artnews, Art in Africa, Cultured Mag, the New York Times, and the Nation, among others.