Provenance

In 1988, El Anatsui created a seminal series of printed textiles in Nsukka, marking a significant phase in his artistic evolution. This series, consisting of ten textiles, was produced using a palette of black, blue, yellow, ochre, and orange pigments, each piece resonating with the vibrant spirit and rich heritage of Africa. The "Nsukka Curtain Series" exemplifies Anatsui's early experimentation with traditional African artistic languages, particularly Uli and Nsibidi. These works are not only visually striking for their intricate patterns and textural depth but also significant for their cultural and historical references.

Three of these innovative textiles have found a home in the collection of Iwalewahaus, Bayreuth, while another is prominently displayed in The Museum of Fine Art, Boston. The remaining few editions are treasured in private collections, highlighting their scarcity and enduring value. These early works are pivotal in understanding Anatsui's artistic journey, as they can be considered the first stage in the development of his later renowned wall hangings. Each textile in this series, including the piece featured in our exhibition, is a testament to Anatsui's skillful blend of materiality and form, and his unique ability to transform ordinary materials into extraordinary expressions of cultural identity and history.